Posts Tagged ‘Trico’
The ‘Victoria’ chair is the wife of ‘Albert’, the Silhouette chair that I designed for Trico in 2001. Both chairs are developed from the shapes of traditional English chairs and made in laminated plywood. The result is an elegant shape, which is aware of the chairs that have gone before it.
Victoria was launched at a solo show in Tokyo called ‘Lovable, Alternative Folk Design, during their design week in December 2007.
This full-length wall mirror presents a modern exterior alongside a more traditional hidden form. What at first appears to be an undecorated square mirror frame reveals the ‘ghost’ of a traditional molded gilt frame when you look into the mirror.
The mirror was launched at a solo show in Tokyo called ‘Lovable, Alternative Folk Design, during their design week in December 2007.
The ‘Dangerous’ rug is a nostalgic link with my childhood, a time when everything could be a game. I often had to travel around the room without touching the floor because of the crocodiles.
The rug was launched at a solo show in Tokyo called ‘Lovable, Alternative Folk Design, during their design week in December 2007.
In England, this is a common shape for a chair. An archetype. The shape has evolved rather than been designed. It originated from the qualities of the wood from which it is constructed and the processes available to make it in the past. It has been reproduced often because it is strong and comfortable.
My version of the chair is made in laminated plywood. This process works by gluing together thin sheets or ‘veneers’ of wood over a mould. A technique…
Willow pattern is a common English crockery design that has been popular for over two hundred years. The pattern originates from China and was ‘interpreted’ by Europeans. This version is now it is manufactured in Japan. The design has traveled backward and forward with a suitable amount of development with each trip, like the game of Chinese whispers.
The ceramics are produced in the usual way, with transfers applied to standard white ceramics, but this time with each piece ‘wearing’ the…
This is an early example of process led product design. I started this project in 2001.
I wiped stop-out varnish onto mirrors and allowed the varnish to run as it dried. The mirrors were later emersed in a bath of sugar acid, which etched into the glass that was not protected with varnish. The mirrors were then cleaned of varnish to reveal a series of unique patterns that resemble condensation. The design now produced in Japan by screen printing in a…
Part of the ‘Negative’ range of products I produced shortly after graduating from a silversmithing MA in 1997. The larger chubb keyring is also able to open beer bottles.
The keyrings are now manufactured by Trico in Japan.
The Pub Sofa and Armchairs carry the traditional within the modern. The simple modern cube sofa contains the memories of older sofa styles. The deep buttoned velvet sofa is at a slight angle to the exterior to reinforce the two at slightly at odds with each other.
The sofa and armchairs were launched at a solo show in Tokyo called ‘Lovable, Alternative Folk Design, during their design week in December 2007.
The Terrace sideboard plays with the idea of ‘home’. Home is where things belong. As my dad would say when encouraging me to tidy up his tools, “There is a home for everything and everything must go back to it’s home.” The terraced house is a very English home and a sideboard is a home for our things.
The sideboard was launched at a solo show in Tokyo called ‘Lovable, Alternative Folk Design, during their design week in December 2007.
This design grew from the observation that when identical objects roll off the production line, it is the mistakes that have more quality and personality.
With the difficult craft of glassblowing, the more skilled you are, the more perfect or identical your blown pieces will be. The better you are at the craft, the more your output will look like a machine had produced them. It seems a shame that one of the aims of the skill is to hide itself.